signal angels series, composition signed 21 may 2015
spontaneous ink lines
on hard paper
size: 21 x 30 cm (close to 8 x 12 inches)/ will be sent with authenticity certificate / on request can be professionally framed
|
"The
interval is actually the space between God inside
us and God outside us. Our guardian angel turns
into the dominant element of the painting, in different
situations. Kloska’s gloses on the subject are
original and they lead to insomnia. Mostly that
of the spirit called out from agreed upon conventions
to propose another manner of negotiation with the
sacred and the eternal. Animated spirit by insoluble
questions, he goes deep with every piece on the
lands of illusions. He does not give any sentences,
he just invite us for journeys into the volatile
zones of fiction and mister. Kloska never starts
to forget from where he start and he doesn't brake
himself to affirm that he's sometimes cross by
the seductions of the delirium. He is speaking
with angels. In a composition with an aspect of
baroque unplaite of very well articulated luxuriant
lines, he is calling the memory to imagine a possible
dialog with the Guardian Angel. The questions sounds
real, the answers are equivocal. The tension of
the image associates vulnerable armour and cherub
diaphanous in a spectacle where the trumpets are
sound spelling a possible apocalypse. The chromatics
is forcing itself with precious Rembrandtian associations
but also with loudly grays metallic articulated.
In "the first photo session of a guardian angel" the
heavy armors are becoming possible burden, fragile
carcases where , in fact, the faith is living .
Other times, the spectrum of impenetrable nights
presumes grave coloring association. even funeral
in bacovian key while the orgiastic feast of joining
is having the devataiting air of heresy. The proportion
between the dark colors and the cluster of gold
yellow glitters that is inundating the sky of compositions
is bringing to attention the cosmic couple of light
and dark. The gushing fantasy, the nocturnal reverberations
of the poetry, as the painter said, amplifies the
sonority of chromatics and multiplies the dramatic
development
of the forms in the graphic space. Not by fortuitous
chance, Ovidiu Kloska is hearing the music of spheres
and is seeing angels."
|